Metric

September 13, 2010

James: “We will leave the studio go into the apartment get an acoustic guitar and play the song from beginning to end, like you would at a campfire. And if the song doesn’t work that way, then there is something wrong with the song itself you know? You should never have to hear a 4 bar filter sweep for the song to work.”

Julian Casablancas

August 2, 2010

Julian:”It’s tough to write. I feel like I suck at writing like ‘pop’ because I get too greedy, meaning wise. Because I want it to work on two or three different levels, its really hard for me to just, you know, “I went to the door and I looked you in the eye and … that’s why I’m a happy man!” (laughs) You know what I mean?”

Phoenix

July 1, 2010

Deck: “We like everything that alters or filters your original idea. That’s why we work with very cheap equipment. We also work with cheap recorders when we compose. [Even though] it’s not supposed to sound like this on the record, it kind of fantasizes everything. So when you listen back to it, it gives you a very new vision of what you did.”

Arctic Monkeys, 2009

March 12, 2010

I feel like writing lyrics is sort of different for each case, it seems. Sometimes, I’ll really have an idea for a tune, like a story or a format. Like with that song “Cornerstone,” I had this idea that I wanted each verse to be the same format and then you sort of know exactly where it is going, and the humor can get in there and it does that more narrative thing.

Wild Beasts

October 28, 2009

On writing and recording an album:

Hayden: You’ve got to let yourself go mad in a way. You’ve got to get dangerously obsessed to get [an album] out. You have to give yourself the right space and environment to allow that, and not to, sort of, “break the spell.” It doesn’t take a lot to pop the bubble, and then you’ve got to work hard to build it back up again.